TV is dead. We all know that. We’ve been hearing that for years, anyway, so it must be true. As everything goes “digi”, we hear a lot of conventional wisdom talk about attention spans and eye tracking and the ever-measurable click-through.
But as a creative and an instructor at the local ad school, trying both to do right by my clients’ needs, and to guide my students to push past further than today’s business realities allow, I can’t help but notice that what still gets the most “buzz” are conventional pieces that look a lot like TV.
Some clients hear the death knell of TV blowing through the pop biz books, and are relieved. While TV spots give brands the legitimacy and prestige they clamor for, they are also seen as a tremendous drain on the ad budget– which they are. TV costs money. Media costs money. Talent costs money (and I don’t just mean the monkeys in front of the camera). Despite what that guy at the cocktail party in the black turtleneck says, YouTube and Red Cameras do not mean good quality TV gets a whole lot cheaper. Then the obvious question is Why produce TV when Twitter costs literally $0? I’m not going to answer that, because I respect you.
So TV moves to the Web. It gets longer. Or shorter. But mostly longer. (I was shown a study yesterday claiming the ideal length for online video is between 30 and 90 seconds. Content is a little in the grey area, but for optimum ROI, there is apparently a running time.)
This month, the world went crazy for Nike’s World Cup spot. As of Sunday night, in less than three weeks, more than 12 million people had watched it on YouTube alone. I have it on good authority it’s the spot that both the agency and the client are going to put down as their crown jewel for the year. Though personally, as I’m not much of a futbol fan but I am a giant nerd, I’m partial to Adidas’s work that launched last week just in time for kickoff. Both the Nike and Adidas spots are over two minutes, and clearly cost a boatload of money. And I don’t hear anybody complaining about attention spans, and I’ll bet come awards season, we’ll be seeing them again.
Can you do awesome long format video that doesn’t require the expense of David Beckham sitting down with Greedo at George Lucas’s house? Sure. As kinetic and absorbing and “spectacular” as the Nike spot is, I was much more moved by the 12 minutes I spent with Mother’s Docu-sponsory™ (I’m coining that) for Stella beer, UP THERE. It’s beautiful, moving, and probably cost what 2 seconds of the Nike spot cost. And it made me thirsty.
Here at Kilgannon, the agency recently produced some long-format work for Manheim. You can see it here, and you can read a much better explanation of it here. We’re pretty proud of it, and we think it’ll pull pretty hard for them. And as I sit here typing this, I’m looking at casting tapes for a TV spot. Yes, an actual TV spot that will run on that black rectangle in your living room. It’s not dead yet.
— Devon Suter, VP, Group Creative Director